THE STEM CELLS OF ART

### Psychologists tell us that children's drawings exaggerate shapes in ways that reveal the child's inner feelings about their subject. For example, this drawing shows the importance of hands to a child reaching out to pick flowers.


In this and other ways, children's art reveals our first pure perceptions of a world unconstrained by logic or physical appearance.

This world is sealed off forever to adults. Mature brains process visual information and spatial relationships differently. Our neurological systems have learned to mediate between vision and perception, and it is hard to unlearn what we know.

Of course, artists still recognize that pictures can be more effective when feelings alter physical appearance. They ain't exactly picking flowers here, but Jack Kirby and Hokusai both show that they remember how to enhance a picture by exaggerating body parts:





But going beyond mere exaggeration, it's interesting that the artists who strain the hardest to return to the purity of childhood drawings-- the ones who try to capture that early, pre-rational essence in a meaningful way-- are often the most intellectual. Paul Klee, Saul Steinberg, Kandinsky and Dubuffet all worked with simplified child-like forms.


copyright The Saul Steinberg Foundation/Artists Rights Society (ARS), NY

They were all highly cerebral artists renowned for writing long, erudite treatises on art theory. I find it especially interesting that when they abandoned rationality to delve into the simple world of the child, the visual result was often frightening.




copyright The Saul Steinberg Foundation/Artists Rights Society (ARS), NY

Scientists study embryonic stem cells because, unlike adult stem cells which have hardened into specific applications with limited adaptability, embryonic stem cells have unlimited potential to develop into any of the cell types of the human body, and to regenerate indefinitely. I think artists tend to return to early childhood drawings in the same spirit. They are looking for a place before our patterns of perception have hardened, to seek fundamental and powerful building blocks for new art. ###

PRIORITIES

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It is difficult to paint realistic, detailed pictures. However, artists don't really begin to earn their money until they start deciding which details to leave out.

This brilliant portrait by Chris Payne is a good case in point. The face and hands are tightly rendered, even down to individual hairs.



Yet, other parts of the picture are highly simplified and flat.



Payne recognized that it would be distracting to paint the man's coat with the same intensity as the face. Adding buttons and threads would subtract from the picture.

Contrast Payne's portrait with this different approach by the illustrator James Bama:

Bama is so intoxicated by his ability to paint realistically that he doesn't know when to quit. Here, the shirt receives as much attention and intensity as the face. Everything in the picture is equally important, so nothing is important. This is one of the weaknesses that prevent Bama from being a good artist, despite his obvious technical skill.



I'm not saying that a face is more important than a shirt. All I am saying is that good artists set priorities. Payne is able to achieve that intense, piercing look in the eyes partially because the eyes are not competing with a thousand itty bitty little circles. Bama has not yet set priorities because he is too busy saying to himself, "damn, look how good I am at painting itty bitty circles on the folds in this shirt!"

In my last posting on pin ups, we had a fun exchange on whether it is enough for an artist to paint realistically. While I certainly respect the discipline, my point was that the tougher part of art is the judgment to make choices about what is artistically important and what is not. As Leon Blum wrote,

Life doesn't give itself to to one who tries to keep all its advantages at once.... Morality may consist solely in the courage of making a choice. One must pay for an idea as for anything else.

For me, the best pictures evaluate (that is, make a commitment by displaying the artist's judgment about the relative value or importance of forms and colors.)

Besides, to tell the truth I wanted to circle back around to this topic as an excuse for sharing this nifty painting by Payne.

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