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NEW BOOK FROM STERLING HUNDLEY

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Award winning illustrator Sterling Hundley has come out with a collection of his art, Blue Collar / White Collar.


The book melds Hundley's commercial illustration, his gallery art, and his thoughts on working "between the demands of  Blue Collar ethic and the ambitions of a White Collar aesthetic."
 

Readers may recall that I admire Hundley's talent, his enthusiasm for nurturing young artists, and his thoughtful efforts to adapt to the circumstances confronting a 21st century artist. Many illustrators talk about diversifying and selling "fine" art to gallery audiences, but Hundley is one who seems to have pulled it off.  I was pleased to be asked to write the introduction for his book.

This compact volume (6" x 9") includes revealing preliminary sketches for some of his better known works.


I recommend that you check it out.
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EMPTY ARMS

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Mead Schaeffer

You hardly ever see pictures of men carrying women in their arms these days, but once upon a time such pictures made up 71.32% of all illustrations in women's magazines.

 John Gannam

Readers of Redbook, Good Housekeeping, Ladies Home Journal, Cosmopolitan and McCall's all seemed to love these pictures.








Then, sometime around the middle of the 20th century, such illustrations became extinct.  Why?

Leonard Starr

Apparently, women realized they could travel faster, and usually in a better direction, by walking on their own two feet.

Of course, there could be other explanations for why these illustrations were so popular with women.  If you accompany a man to the cave of the winds, being carried gives you deniability about assent.  In a subtler era, ambiguity about assent could play a significant role in your relationship with the man, or with your mother.  In the second half of the 20th century, ambiguity would become less important.

Or perhaps these illustrations began to lose their charm as women looked at this same theme in men's magazine illustrations, and realized what was going on in the heads of the lummoxes who were carrying them:

Norman Saunders
Regardless of physical strength, women often ended up doing the heavy lifting anyway.

If you look at the old illustrations of men carrying women, you see that (politics aside) there was  a lot of room for play and psychology as a result of the fact that nature had endowed one sex with the physical strength to lift the other.

But whatever the reason, those nuances are no longer of much interest, so neither are the illustrations.

The end of the demand for such pictures (rather than the invention of television) may be the real reason for the shrinking illustration market.
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